1 minute autohypnosis 20th CD

Musician. Born 1973. BA of Composition, Tokyo National University of Fine Arts and Music.
In 2002, Shibuya has established ATAK, a music label releasing CDs of cutting-edge electro-acoustic works by various artists from all over the world.
Amongst the label’s works are Shibuya’s «ATAK000+», «ATAK010 filmachine phonics».
His first piano solo album «ATAK015 for maria» was released in 2009.
In 2010, he released «Soutaisei Riron + Keiichiro Shibuya: Our Music».
Shibuya is also acting as the music composer for movies such as «Shinanai Kodomo, Shusaku Arakawa», «Seiji: Fish on Land», «Spec: Heaven» and «Memory of Origin Hiroshi Sugimoto», etc.
In 2012, he released «Sacrifice Keiichiro Shibuya feat. Rina Ota»,
«Initiation Keiichiro Shibuya + Hiroki Azuma feat. Miku Hatsune», and produced the concert «One(X)» in celebration of the 100th anniversary of John Cage’s birth.
Also in 2012 he has unveiled and staged «THE END», the world’s first vocaloid opera combining imagery and computer music, but not starring any human performers. The performance at YCAM attracted tremendous interest. Also much talked about is Miku Hatsune and Keiichiro Shibuya’s opera wardrobe, which was designed by Louis Vuitton’s artistic director Marc Jacobs and his studio team.
In May 2013, he performed VOCALOID OPERA «THE END» at Bunkamura Orchard Hall, Tokyo.
The opera is planned to be held at Théatre du Chatelet, Paris in November 2013.
He participated multiple domestic visual and music projects.

An unprocessed recording from the Bukitteresek rainforest in Malaysia.
From a series of recordings done beginning this year on a journey from Malaysia to Thailand

Dedicada al artista sonoro aragonés Pedro Bericat, emplea fragmentos de su obra «Música de cámara para 1.000 transistores» junto a fonemas aislados y otros residuos sonoros que dialogan, resignificandose mutuamente, con los de sintonización de emisoras extraídos de la citada obra.

The track explores the limitations of the Gameboy Advance sound chip with no samples or overdubs used. The aim was to create powerful, warm and rich tones through hacking a simple humble consumer device.